Acrylic on canvas
130 X 100 × 4.5 cm
2026 | BB. 26
劃域系列 Delinations
抽象繪畫中的形狀、顏色與構圖，對我來說不只是視覺元素，也像是一種關於情緒、關係與心理狀態的空間劃分。我將畫面想像成某種「領地的爭奪與圈劃場所」，透過不同區域之間的比例、位置與邊界關係，描繪人內部各種傾向彼此拉扯、共存與佔據的狀態。
章紋學（Heraldry）中，經常透過顏色、圖樣與區域劃分來表現身份、權力與從屬關係，不同元素在畫面中的安排，也形成一種具有秩序與階序感的視覺結構。作品受到這種「以構圖安排關係」的方式啟發，將原本用於描繪外部身份關係的視覺語言，轉向對個人內部狀態的描繪。不同情緒、慾望與精神傾向在畫面中彼此包覆、穿越、擠壓與佔據，形成一種關於內在疆域的動態爭奪。
Inspired by the way Heraldry uses color, symbols, and divided spaces to represent identity, power, and hierarchy, these paintings explore the inner world through abstract composition.
I think of the work as a form of territorial claiming and boundary-making. Different emotions, desires, and psychological tendencies push against, overlap with, and occupy one another within the image. Through the balance of shapes, colors, and spatial divisions, the paintings become shifting maps of an inner territory.
Acrylic on canvas
130 X 100 × 4.5 cm
2026 | BB. 26
劃域系列 Delinations
抽象繪畫中的形狀、顏色與構圖，對我來說不只是視覺元素，也像是一種關於情緒、關係與心理狀態的空間劃分。我將畫面想像成某種「領地的爭奪與圈劃場所」，透過不同區域之間的比例、位置與邊界關係，描繪人內部各種傾向彼此拉扯、共存與佔據的狀態。
章紋學（Heraldry）中，經常透過顏色、圖樣與區域劃分來表現身份、權力與從屬關係，不同元素在畫面中的安排，也形成一種具有秩序與階序感的視覺結構。作品受到這種「以構圖安排關係」的方式啟發，將原本用於描繪外部身份關係的視覺語言，轉向對個人內部狀態的描繪。不同情緒、慾望與精神傾向在畫面中彼此包覆、穿越、擠壓與佔據，形成一種關於內在疆域的動態爭奪。
Inspired by the way Heraldry uses color, symbols, and divided spaces to represent identity, power, and hierarchy, these paintings explore the inner world through abstract composition.
I think of the work as a form of territorial claiming and boundary-making. Different emotions, desires, and psychological tendencies push against, overlap with, and occupy one another within the image. Through the balance of shapes, colors, and spatial divisions, the paintings become shifting maps of an inner territory.
